Colin Asquith
Colin Asquith (b. 1978) is an audio visual artist living in Boston, MA, who often works with music, sound, and video. He has worked under the pseudonym "L. Contra" since 1998 on separate music and sound exploits. The name itself is a Nintendo reference born out of improvisation with a Casio keyboard. Colin mixes found sounds, noise, samples, synthesizers, and acoustic instruments using tape recorders and computers. In 2003, his "X-Mas in Roxbury" and "Winter Lives" albums were released on Villa Magica Records, the project label of Swiss artists Sylvie Fleury and John Armleder. In 2004, he was included in a double LP compilation put out by Atlanta noise label Old Gold. Other music projects of his include: L. Contra Band, Conquistador, Mastablasta, and the Arrangement. The last several years, Colin has collaborated with artist Jennifer Schmidt on a series of videos, including: "What's in a Name" (2001), "Scan-Tron" (2003), "Letters in a Coma" (2004), and "Waterlogged" (2005). “Wish You Were Here” represents the first time he has worked with Terry Nauheim, and the first non-video based project with Jennifer Schmidt.
Terry Nauheim
Terry Nauheim (b. 1970) explores sound and visual relationships through digital media, drawing, and installation. Her artwork has been exhibited in the Bronx Museum of Arts; the Drawing Room, London; Contemporary Museum, Baltimore; Delaware Center for Contemporary Arts, Musée Art Contemporain Lyon; and the Sculpture Center, Long Island City. She was a recipient of Maryland State Arts Council's Individual "New Genre" Artist award and an Artist-in-Residence at Harvestworks. Ms. Nauheim has an MFA from University of Maryland and a BFA from Washington University. In addition to producing her work, she teaches computer arts at New York Institute of Technology and New York University. She currently lives and works in New York.
Jennifer Schmidt
Jennifer Schmidt (b. 1975) is a multi-media artist living in Brooklyn, NY, who often works with printed media and graphic design to create sculptural installations, video, and screenprinted ephemera. She received her Master of Fine Arts degree from the School of the Art Institute of Chicago in 1999 and Bachelor of Arts degrees in Studio Art and Art History from the University of Delaware in 1997; and is faculty within the Print Media Area and Graduate Program at the School of the Museum of Fine Arts, Boston. Recent exhibitions and screenings include: Pulsar Festival for New Media,Caracas, Venezuela, Cinema-Scope, London, UK and Miami, FL, International Print Center New York, NY, Candela Gallery, Puerto Rico, Test Patterns: Public Art Project, Baltimore, MD, Conversational Lag, Volume Gallery, New York, NY, Video Series 2005, Goliath Visual Space, Brooklyn, NY, Rencontres Internationales Paris/Berlin, International Film Festival Oberhausen, Germany, Video Pool, Winnipeg, Canada, AIM V:SYZYGY, Armory Center for the Arts, Pasadena, CA, Delaware Center for Contemporary Art, Wilmington, DE, Boston Center for the Arts, Boston, MA, and Experimental Sound, Video and Film Programmation, Institute Jean Vigo, Perpignan, France. Recent curatorial projects include: Bit Logic, GASP, Boston, MA, Mybrary, BUILD, San Francisco, CA, and LINGO, ONI Gallery, Boston, MA. Jennifer is a 2007 fellow in Printmaking/Drawing/Artists' Books from the New York Foundation for the Arts.
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